Shin Min-a’s ‘The Pupil’ Kicks Off Global Box Office Run… Officially Invited to Sitges Film Festival
Invited to the Panorama Section of the Sitges Film Festival’s Competition Program
Following the Philippines, Singapore, and Mongolia, the film is set to open in North America as well
[Edaily Starin YUN GI BACK Reporter] The film “Eyes” is expanding its reach, gaining attention in the international genre film scene following its word-of-mouth success in Korea. Poster for the film “Eyes” (left) and the Sitges Film Festival logo. (Photo courtesy of Bipoem Studio and the Sitges Film Festival) According to distributor ByPoem Studio on the 6th, “The Eye” has been officially invited to the Panorama section of the competition at the 59th Sitges Film Festival, which runs from October 8 to 18. The Sitges Film Festival is a world-renowned event showcasing genre films such as fantasy, horror, and thrillers, and it has consistently served as a platform for introducing Korean genre films. This invitation is particularly significant as it recognizes the genre-specific excellence of *The Pupil*. The film is a suspense thriller that depicts the truth Seo-jin—who is losing her sight due to a genetic disease—encounters as she investigates the suspicious circumstances surrounding her twin brother’s death. It has been praised for expanding the physical limitation of “not being able to see” into horror and tension, while intricately weaving together the characters’ anxiety and the mystery of the case. Angel Sala, Artistic Director of the Sitges Film Festival, commented on *The Eye*, saying, “This is a film that has transcended the framework of a remake to establish its own unique identity.” He added, “Its atmosphere and tension, imbued with the essence of horror, stand out, and the meticulously built suspense keeps viewers engrossed until the very end.” International releases are also gaining momentum. Starting with the Philippines on the 25th of last month, *The Eye* has been released in Singapore and Mongolia, and will reach North American audiences on the 10th. Subsequent releases are scheduled in Indonesia, Malaysia, Vietnam, Russia, and Japan. In South Korea as well, *The Eye* is enjoying a box office resurgence fueled by word of mouth. As of the 5th, it has recorded a cumulative audience of 842,703 and is on the verge of surpassing the 1 million mark. It is also noteworthy that a traditional thriller is expanding its audience through word of mouth amid a summer box office season dominated by major blockbusters.ㅆ
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