[Edaily Reporter Choi Hee-jae ] Netflix has released story stills from the film "Possible Love" ahead of its global premiere on the 6th.

“Possible Love” tells the story of two couples—a laid-off worker and his wife, and a documentary director and her husband—who come together to produce a documentary and are confronted with each other’s different lives and hidden desires.

The released story stills heighten curiosity by capturing the flow of the story—from the first meeting of the four characters, whose lives become intertwined through the documentary shoot, to the events that unfold among them.

The scene at the laid-off worker’s funeral, where “Ho-seok” (Seol Kyung-gu) lashes out at documentary director “Ye-ji” (Jo Yeo-jeong), who is holding a camera, while his wife “Mi-ok” (Jeon Do-yeon) tries to calm him down, instantly reveals their differing perspectives on the documentary filming and foreshadows an unusual tension right from their first encounter.

Next, a scene of “Mi-ok” being interviewed by “Ye-ji” in their backyard sparks curiosity about what story she will share in front of the camera. The expressions on the faces of “Mi-ok” and “Ho-seok” as they sit side by side, sharing a drink, reveal the pain they have endured together—he as a laid-off worker and she as his wife—leaving viewers eager to understand their inner worlds.

In a still featuring “Mi-ok” and her son “Cheol-i,” “Ye-ji” catches the eye as she captures the pair on camera without missing a moment, even amid the tense atmosphere. This heightens curiosity about what changes “Ye-ji” will bring as she delves deeper into their lives.

Meanwhile, a scene where “Sang-woo” (Jo In-sung)—“Ye-ji’s” husband, who was born into wealth and privilege—brushes the sand off “Mi-ok’s” knees on the beach at their vacation home reveals the subtle tension between the two. It heightens anticipation for how these four very different people will interact, what changes they will undergo, and what conclusion their story will ultimately reach.

“Possible Love” is director Lee Chang-dong’s new film, his first in eight years since “Burning.” After being selected as South Korea’s entry for the Best International Feature Film category at the 99th Academy Awards, the film achieved a series of remarkable accomplishments, including becoming the first Korean film to win the Grand Jury Prize (Silver Lion) at the Venice International Film Festival, the TIFF Everett Director’s Award at the Toronto International Film Festival, and the Otter Award at the Mill Valley Film Festival.